Writing an Academic Mystery
My books by Dorothy Sayers. Picture by N. M. Cedeño
Academic mysteries are a timeless subgenre in crime fiction. Found on almost every list of the best mysteries ever written, Dorothy Sayer’s Gaudy Night is the epitome of British academic mysteries and is one of my favorite books. Several British mystery series that have been adapted for television are set in the university towns of Oxford or Cambridge with students and professors as witnesses and suspects. Academic mysteries fill a popular niche in the world of crime fiction.
While I enjoy academic mysteries, I never planned to write one. Instead, I fell into it. When I was creating my Bad Vibes Removal Services paranormal mystery series and fleshing out my characters, I blithely imagined my main character Lea to be a graduate student in history who happened to have the ability to see ghosts and the ability to sense the emotional history of a location. Since I made her a grad student, I assigned Lea to my own alma mater, the University of Texas at Austin.
Cover designed by Brandon Swann
After writing several short stories in the series, I decided to write a novel. That first novel, The Walls Can Talk, was set in an Irish castle that had been moved to central Texas, bringing its resident ghost with it. In that book, I developed a subplot involving Lea’s graduate work. When I sat down to write the second book in the series, Degrees of Deceit, I realized that I wanted to extend Lea’s story line and that the natural setting would be the campus at U.T. Austin. Suddenly, I was writing an academic mystery.
Three quarters of the way into the first draft, a question popped into my head. I realized that most of the books set at real universities were British. I wondered, why don’t American authors set books at real academic institutions? I consulted Google, looking for an answer. And, I discovered that authors in the United States don’t set mysteries at known universities for fear of being sued for “disparaging” the universities.
Which led me to think, British authors do it all the time. Don’t British authors fear being sued?
Back to Google. And, yes, British authors fear being sued too. But British authors have a simple solution to avoid legal action because British universities are organized differently than American universities. Oxford, for example, currently has 39 colleges that are separate entities within the larger university. British authors avoid getting sued by creating fictional colleges. This allows British authors to use the well-known buildings, landscapes, and towns around the real universities while centering the plot in a fake college. Dorothy Sayers even placed a hefty author’s note at the beginning of Gaudy Night explaining how she did this.
Lacking this option, many American authors resort to creating thinly veiled, fictional versions of the university that they want to use as a setting. Consequently, American readers almost never get to read crime novels set among the famous buildings of extant American universities.
Having previously written paranormal and science fiction mysteries, I knew nothing of the complicated legal machinations used by other authors in writing academic mysteries. When I started writing my academic mystery, I jumped into the writing completely blind to the fraught legal matters associated with the genre.
Then, of course, when I discovered the possible legal ramifications, I panicked and stopped writing, afraid that I would have to rewrite my entire manuscript with a different setting. Then, I panicked again, realizing that I couldn’t move the setting to a nonexistent, fictional university because I’d already identified the university Lea attended in the previous, already-published books and stories. I couldn’t keep the story line without the setting.
Image by Pixabay
In a state of dread, I called the U. T. Austin legal department, where a nice lady told me that I had the legal right to set a story at U. T. Austin as long as I avoided using the names of any actual university employees, past or present. I researched my characters names to see if they resembled any known employees. None did. Relieved, I finished writing the novel.
Still, a nagging worry grew in the back of my brain. I had nightmares that the answer the legal department woman gave me was too simple. If the answer was so easy, why did other authors avoid setting novels at universities? I asked a few lawyer friends their opinion on the matter. They told me I was right to be worried. The answer I was given was too simple. I could still get sued.
With a complete manuscript hanging in the balance, I set out to try to minimize any legal issues because I really had no intention of disparaging anyone. Most of the novel revolved around a single dorm on the U. T. campus, one that I had lived in as a student. I decided setting the story in a real dorm might be too risky. Someone might think I was writing about actual students in the actual dorm. I couldn’t create a fake college, but I could create a fake dorm. I decided to rename the dorm and set the story in a thinly veiled, fictional dorm instead of in a real one.
Cover designed by Brandon Swann
After renaming the dorm and changing some details associated with it, I sent the completed manuscript off to the editor for review. The editor liked my story and now my academic mystery is finally ready for publication. Following Dorothy Sayer’s lead, I’ve included a hefty author’s note explaining that the dorm and the story are entirely fictional. Degrees of Deceit comes out later this month.
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